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THE ANTHROPOCENE STYLE: Towards a New Decorative Reality
By Philippe Rahm
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PIN–UP PREMIERE: SO–IL’s L’AIR POUR L’AIR (WITH ARTIST Ana Prvački)
By Solid Objectives
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AROUND THE PROTEAN TABLE: From Judy Chicago to changing notions of Digital Era Connection
By Rose Higham-Stainton
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PIN–UP 8
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A 35mm Throwback to Storefront’S 24 X 24 X 24 Summer Solstice
By Antwan Duncan
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BRASSY: A New Essential Oil Burner for Burning Essential Oils
By Natalia Torija Nieto
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INTERVIEW: Wang Shu of Amateur Architecture Mixes MODERN AND Traditional In Changing China
By Andrew Ayers
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WAKE UP CALL: Architectural Comfort in the Age of Passivity
By Pol Esteve
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MAISON RELOADED: Balenciaga Reinvents Its Paris HAUTE Couture HQ
By Natasha Stagg
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Design Genre-Busting In Brussels: One Fair and Three Shows
By Andrew Ayers
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ATLANTIS RISING: Ellex Swavoni’s Sci-Fi Monument To Atlanta’s Black Heroines
By Tash Nikol
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INTERVIEW: The Artist Joep van Lieshout about Utopia, Dystopia, and HIS DESIGN FOR A NEW CHAISE LONGUE
By Drew Zeiba
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A Stream of Consciousness “On Water”
By Pierre Alexandre de Looz
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HEART-SHAPED RESORT: Romance Rituals From a Bird’s-Eye View
By Tiana Reid
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INTERVIEW: Agustín Hernández’s Futuristic Monoliths Inspired By Mesoamerican Architecture
By Suleman Anaya
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INTERVIEW: Artist And Writer Aria Dean On Irony, Legacy, and her Interest in Postmodern Architecture
By Becky Akinyode
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Michael Anastassiades Coordinates another Lighting sensation
By Felix Burrichter
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BACK TO THE ROOTS: Interview With Storefront’s New Chief Curator José Esparza Chong Cuy
By Drew Zeiba
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INTERVIEW: Artist-Anthropologist Maya Stovall On Detroit Urbanism And Liquor Store Theatre
By Alice Bucknell
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INTERVIEW: Tezontle Studio Unearth Mexico’s Pre-Hispanic Past Through Architectural Abstraction
By Daniel Simon Ayat
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NEW NEW YORK ARCHITECTS: Minjae Kim, Architect And Furniture Designer
By Drew Zeiba
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INTERVIEW: “Daddy” Playwright Jeremy O. Harris On Beauty, Pools, and Trauma
By Felix Burrichter
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Five Levels of Rick Owens: Inside the Couturier’s Paris Townhouse
By Stephen Todd
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NEW NEW YORK ARCHITECTS: Sean Canty, Activist, Architect, Educator
By Drew Zeiba
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KITCHEN MIXERS, MANOLOS, AND MORE: THE INAUGURAL MADRID DESIGN FESTIVAL
By Andrew Ayers
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MADRID DESIGN FESTIVAL 2019: FROM SPANISH GRANDEES TO THE BLACK MARKET
By Andrew Ayers
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DESIGN STORY: MATCHY MATCHY MOM
By Vincent Dilio
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LIMITED EDITION COVER: The Designer of the 2018 Serpentine Pavilion, Frida Escobedo
By Eva Munz
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MODERN LIVING: A PERFORMANCE INSPIRED BY AVANT-GARDE COHABITATION IN THE SCHINDLER HOUSE
By Jennifer Piejko
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NEW POWER GENERATION: CHARLAP HYMAN & HERRERO
By Ian Volner
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NEW POWER GENERATION: OANA STANESCU AND DONG-PING WONG OF FAMILY
By Ian Volner
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TOTAL ORDER: AN ODE TO SYMMETRY
By Tom Hancocks
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BEIRUT DIARY: Three Days With The Architect Raed Abillama
By Pierre Alexandre de Looz
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ESSAY: The Eternal Return of the Primitive Hut
By Shumon Basar
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QUANTUM ARCHITECTURE: Manifesto for the Future of Black Design
By Gregory Ketant
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SAHRA MOTALEBI, “FEMALE GENIUS”
By Kevin Greenberg
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ARTIST JESSI REAVES, QUEEN OF SCRAP
By Julia Trotta
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REVIEW: READYMADES BELONG TO EVERYONE at New York’s Swiss Institute
By Drew Zeiba
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TOILET ARCHITECTURE: AN ESSAY ABOUT THE MOST PSYCHOSEXUALLY CHARGED ROOM IN A BUILDING
By Beatriz Colomina and Mark Wigley
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A FORMAL OCCASION: THE LISBON ARCHITECTURE TRIENNALE
By Andrew Ayers
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New York 1980: Thierry Mugler Style
By Joe Disponzio
