Results for: Common Accounts

INTERVIEW: Miles Gertler On Funerals, Fitness, and the Design of the Body

By Hans Ulrich Obrist

SHADE FOR 2030: Igor Bragado and Miles Gertler Imagine the Prosthetics of the Future

By Common Accounts

The Wallet Interview: Elise By Olsen in Conversation with OMA’s Ippolito Pestellini Laparelli

By Elise By Olsen

PIN–UP 28 SUNFLOWER COVER

CLOUD FORMATIONS: Climate Change, Diaspora Theory, and the Internet

By Carson Chan

MENTAL FURNITURE: The Gray Zone Between Functional Sculpture and Nonfunctional Design

By Marc Matchak

AROUND THE PROTEAN TABLE: From Judy Chicago to changing notions of Digital Era Connection

By Rose Higham-Stainton

Issey Miyake’s Homme Plissé And How To Escape and Define Cultural NarratIve

By Pierre Alexandre de Looz

TRASH AESTHETICS: Mining the Debris of Post-Industrial America

By Tiffany Lambert

INTERVIEW: Design Duo Soft Baroque from London On Their Signature Absurdism

By Jeppe Ugelvig

PIN–UP 27 FALL WINTER 2019/20, THE FANTASY ISSUE: Nightlife! Aliens! Couches!

By PIN–UP

Artist Genevieve Goffman Makes Fantasy Architectural Models To Explore History’s Complexities

By Matt Shaw

PIN–UP 27

PIN–UP 27 – SPECIAL COVER

PIN–UP 28 “SUN” Cover by Torso

PIN–UP 28 “SUN” Cover by Willo Perron

ARTIST FRANCESCO VEZZOLI CREATES LIMITED EDITION COVER FEATURING CRYING LIZ DILLER

By Andrew Ayers

BASIC INSTINCTS: How Instagram Is Changing The Way We Decorate Our Homes

By Taylore Scarabelli

LIBERTÉ EGALITÉ UPHOLSTERY: 15 Reasons Ligne Roset Rules Seating

By PIN–UP

How SITE and The Late Fashion Designer Willi Smith Brought The Street Into The Showroom

By Michael Bullock

CINI BOERI’S ANTI MANIFESTO: “The Human Dimensions Of The House” For The First Time In English

By Alessandro Bava

DESIGN COLUMN #2: FRAGMENTS FROM LONDON

By Pepa Shores

Cruising Pavilion considers the Architecture of Queer Sex, from Grindr to Glory Holes

By Michael Bullock

SUBURBICIDE: Remote Drone Warfare, Mental Health, and the Suburban American Dream

By Nicholas Korody

FREE ROAMING: A Review of the 2018 Venice Biennale

By Jordan Hruska

GRAPHIC LANGUAGE: Ten Iconic Examples Of ActivisM Through Design

By Jerome Harris

HOW WE LIVE TOMORROW: A POSSIBLE ANTHOLOGY IN FIVE CHAPTERS

By Martti Kalliala

MILANESE MAESTRO: Interview With Architect Umberto Riva on the Creative Power of Mistakes

By Hans Ulrich Obrist

INTERVIEW: LA-Based Architect Jerome Byron On Coming Of Age In The Time Of COVID

By Isabel Parkes

INTERVIEW: Liz Hopkins On Their Clit-Shaped Desk, Womb-Like Seating, And Reclaiming Lesbian Pulp

By Mekala Rajagopal

INTERVIEW: Tezontle Studio Unearth Mexico’s Pre-Hispanic Past Through Architectural Abstraction

By Daniel Simon Ayat

INTERVIEW: Dayglo Legend Peter Halley On Architectural Installations And Index Magazine

By Michael Bullock

Artist Tadanori Yokoo On His Latest Collaboration With Issey Miyake

By Jeremy Lewis

Didactics and Diversity at the 2019 Chicago Architecture Biennial

By Drew Zeiba

EIGHT CREATIVES TALK ABOUT THE PARADOX OF COMFORT

By PIN–UP

LIGHT READING: Discover The Surprisingly Frilly Silk Lamps of Early Modernism

By Adrián Prieto

TRADE CENTER: A Documentary About 9/11 and the End of Gay Cruising in Downtown New York

By Michael Bullock

3D PRIMITIVE: HOW TO REINVENT THE FUTURE THROUGH MEDIOCRITY

By Alessandro Bava

In Search of a New Spatial Contract at the 2021 Venice Architecture Biennale

By Andrew Pasquier

THE MIND-BOGGLING ARCHITECTURE AND LANDSCAPES OF LANZAROTE, PHOTOGRAPHED BY PHILIPPE JARRIGEON

By MAIO Architects

Jeanne Gang: A Midwestern ARCHITECT Who Is Taking the World By Storm

By Michael Bullock

30 OBJECTS: A Survey Show To Define Design In The First Two Decades Of The 21st Century

By PIN–UP

STYLE DIPLOMACY: Inside Acne Studios’ New Headquarters, A Former Embassy In Stockholm

By Dan Thawley

BAGHDAD DESERTED: Tales From A City That No LoNger Exists

By Noor Al-Samarrai

MAISON RELOADED: Balenciaga Reinvents Its Paris HAUTE Couture HQ

By Natasha Stagg

Design Genre-Busting In Brussels: One Fair and Three Shows

By Andrew Ayers

MASK UP: How The Guy Fawkes Mask Became One Of The Most Iconic Design Objects In Recent History

By Philippa Snow

BALLANTINE’S AND NOKIA PHONES: Artist Paul Kopkau Explores Consumerist Desire And Despair

By Andrew Durbin

FOUR DAYS IN QUITO: Identity, Development, and the Future of the Ecuadorian Capital

By Natalia Torija Nieto

A Show at the Schindler House Harnesses The Soft Power Of Plural Storytelling

By Emma Leigh Macdonald

The Hybrid Preternatural Works of Anna Uddenberg

By Alex Bennett

TOXIC POSITIVITY: The Optimism Bubbles of Tech’s New Pioneers

By Drew Zeiba

The History of the Garage, from Frank Lloyd Wright, the Great Migration, to Modern-Day Suburbia

By Olivia Erlanger and Luis Ortega Govela

BOOK CLUB: In Search Of African American Space

By Oluwatobiloba Ajayi

FAMILIAR PATTERNS: The Origins of the Common Domestic Doily

By Eva Munz

CHRIS SCHANCK, INVENTOR OF ALUFOIL, PAYS HOMAGE TO THE GARDENS OF DETROIT’S BANGLATOWN IN HIS FIRST SOLO SHOW

By Michael Bullock

BOOK CLUB: The Notional Architectures of Bodys Isek Kingelez

By Pierre Alexandre de Looz

MOUNTAIN FOLLY: A Tricked Out Chalet By Caruso St. John

By Rowan Moore

DETROIT BAROQUE: On Chris Schanck’s Corroded Majesty

By Brecht Wright Gander

TANNING: The Fluctuating Fashions of Indoor and Outdoor Bronzing

By Taylore Scarabelli

HOTHOUSES: Architecture And The Onslaught Of Heat Fatigue

By David Huber

HIGH-VISIBILITY: The Shifting Politics Of Safety From Protest Culture To Luxury Design

By Federico Sargentone

Fantasia and Simulations at the FiDi Arsenale, an Exhibition in an Irish Pub in New York City

By Drew Zeiba

FASHION MONTH FINALE: Entertainment Takes Center Stage

By Taylore Scarabelli

HEAD TO TOE: Finding Comfort in a Bed Made for Feet

By Alix Browne

Dozie Kanu and Jonathan Olivares in Conversation

By Ian Markell

THE PHILOSOPHY OF FURNITURE

By Edgar Allan Poe

Hollow Insides, Bodily Outsides: Peter Schlesinger Tours Us Around His Ceramic Vessels

By Osman Can Yerebakan

INTERVIEW: Bijoy Jain, Founder Of Studio Mumbai Is Inspired By Air, Water, And Light

By Felix Burrichter

INTERVIEW: Agustín Hernández’s Futuristic Monoliths Inspired By Mesoamerican Architecture

By Suleman Anaya

INTERVIEW: Curator Alia Farid On The Space Between Classrooms And New Types Of Learning

By Drew Zeiba

INTERVIEW: Artist Ilana Harris-Babou On Power Dynamics Of Domestic Aspirations

By Jeremy O. Harris

ARCHITECTURE AND ILLNESS: Beatriz Colomina On Tuberculosis, Modernism, and COVID-19

By Drew Zeiba

INTERVIEW: The Modern Phenomenon of Food Deserts and How to Fight Them

By Drew Zeiba

INTERVIEW: Designer Ini Archibong On Making “Three-Dimensional Poetry”

By Katya Tylevich

INTERVIEW: Enrique Lastra, Mexico City’s Favorite Public Architect, Wants to move towards the interior

By Carlos Ortega Arámburo

INTERVIEW: Maria Cristina Didero And Jorge Penades On Curating Curators

By Natalia Torija Nieto

INTERVIEW: Artist Livia Corona Benjamin Explores Architectural Traces of Rural Policy in Mexico

By Natalia Torija Nieto

INTERVIEW: Max von Werz about Designing with Coherence and Honesty and his Love for Mexican Modernism

By Suleman Anaya

INTERVIEW: The Late Nanda Vigo, Radical Artist And Designer Light-Years Ahead Of Her Time

By Hans Ulrich Obrist

INTERVIEW: Niklas Bildstein Zaar and Andrea Faraguna on the Substance of their Architecture Studio sub

By Jordan Richman

INTERVIEW: “Daddy” Playwright Jeremy O. Harris On Beauty, Pools, and Trauma

By Felix Burrichter

INTERVIEW: Architect Oana Stănescu Creates Vital Spaces That Bring People Together

By Pierre Alexandre de Looz

RECONSTRUCTIONS PORTRAIT: Sekou Cooke on Hip-Hop Architecture and Reconstruction

By David Hartt

INTERVIEW: Graphic Designer, Artist, And Educator Sheila Levrant de Bretteville On Legacy

By Erin Knutson

INTERVIEW: Shumon Basar Talks “Age Of You” Exhibition And The Extreme Self

By Eva Munz

Every Object Tells A Story: Interview with Curator Alexandra Cunningham Cameron

By Drew Zeiba

INTERVIEW: Yussef Agbo-Ola and an Architecture of Ecological Systems

By Jareh Das

A WEAK MONUMENT: THE ESTONIAN PAVILION AT THE 2018 VENICE BIENNALE

By James Taylor-Foster

A Holistic Winery at the Foot of the Andes in Chile

By Horacio Silva

LOVELAND: SOUTH KOREA’S NSFW PLEASURE PARK

By Tiffany Lambert

LIMITED EDITION COVER: The Designer of the 2018 Serpentine Pavilion, Frida Escobedo

By Eva Munz

PIN–UP 26 SPRING SUMMER 2019, THE DESERT ISSUE: Homes! Dreams! Hallucinogens!

By PIN–UP

CRAFT CATCH UP: NORWEGIAN ARTISTS ELLEN GRIEG AND ELISABETH VON KROGH

By Whitney Mallett

MEAT MARKET MEMORIES: Paul Haacke on Growing Up Alongside the Hudson River Piers

By Paul Haacke

PLANET GRCIC: IMAGINING THE FUTURE WITH TOMORROW’S DESIGN CLASSICS

By Shawn Maximo

REI REI: A Meeting of the Minds (and Body)

By Sean Santiago

DIOR IN DENVER: Not Your Average OMA

By Whitney Mallett

REVIEW: READYMADES BELONG TO EVERYONE at New York’s Swiss Institute

By Drew Zeiba

FAIR GAME: Sky Is A Virtual World Designed To Cultivate Kindness And Collectivity

By Monica Uszerowicz

STREET RELIEF: The Unique Story of Paris’s Public Urinals

By Andrew Ayers

THE PIN–UP QUOTE: IPPOLITO PESTELLINI LAPARELLI

THE PIN–UP QUOTE: KONSTANTIN GRCIC

IN TRANSIT: A VISIT TO THE OSLO ARCHITECTURE TRIENNALE

By Andrew Ayers

THE OTHER BARRAGÁN: An Exclusive Victor Barragán PIN–UP Portfolio

By Michael Bullock

WRAP STAR: THE UNUSUAL FASHIONS OF ADELINE ANDRÉ

By Andrew Ayers

YUGOTOPIA: The Glory Days of Yugoslav Architecture On Display

By David Huber

PIN–UP 29

PIN–UP 29 – Reconstructions

PIN–UP 29 “SUB” Cover

PIN–UP 17