Results for: David Hartt

INTERVIEW: Artist David Hartt Transforms A Frank Lloyd Wright Synagogue

By Drew Zeiba

INTERVIEW: Artist David Hartt Discusses Place, Race, and Black Authorship

By Felix Burrichter

MODERN RUINS: AN ARTIST’S TAKE ON MOSHE SAFDIE’S PUERTO RICAN FOREST HABITAT

By David Hartt

STRAY LIGHT: THE JOHNSON PUBLISHING COMPANY IN CHICAGO, AS SEEN BY ARTIST DAVID HARTT

By Doug Boatwright

Alvar Aalto’s UN Conference Center photographed by David Armstrong

By Eeva-Liisa Pelkonen

RECONSTRUCTIONS PORTRAIT: V. Mitch McEwen on the lost futures of reconstruction

By David Hartt

INTERVIEW: The Inner Architecture of David Salle

By Emmanuel Olunkwa

RECONSTRUCTIONS PORTRAIT: Amanda Williams on the Possibility of Free Space

By David Hartt

RECONSTRUCTIONS PORTRAIT: Felecia Davis on Reconstructing Technology

By David Hartt

RECONSTRUCTIONS PORTRAIT: Germane Barnes on Reframing Blackness

By David Hartt

INTERVIEW: Artist Lauren Halsey On Her South Central-Inspired Afrofuturism

By Mimi Zeiger

RECONSTRUCTIONS PORTRAIT: Mario Gooden on the choreography of Black Spatial Praxes

By David Hartt

RECONSTRUCTIONS PORTRAIT: Olalekan Jeyifous on Architecture as Speculation

By David Hartt

RECONSTRUCTIONS PORTRAIT: Sekou Cooke on Hip-Hop Architecture and Reconstruction

By David Hartt

RECONSTRUCTIONS PORTRAIT: Walter Hood on New Black Futures

By David Hartt

HOTHOUSES: Architecture And The Onslaught Of Heat Fatigue

By David Huber

RECONSTRUCTIONS PORTRAIT: Emanuel Admassu on the global African diasporic

By David Hartt

FAIR REVIEW: RECENT IMPRESSIONS FROM CHICAGO

By Jennifer Piejko

Hollow Insides, Bodily Outsides: Peter Schlesinger Tours Us Around His Ceramic Vessels

By Osman Can Yerebakan

RECONSTRUCTIONS PORTRAIT: J. Yolande Daniels on The Enduring Problem of Segregation

By David Hartt

Peggy Guggenheim, Inadvertent Patron Of Avant-garde Architecture

By David Michon

THE PIN–UP QUOTE: DAVID ADJAYE

URBAN JUNGLE: The FORD FOUNDATION by Roche Dinkeloo

By David Benjamin Sherry

DESIGN STORY: An Elven Tale Of Design, Interns, And the Latest Fashion

By Asger Carlsen

PIN–UP’s NEW LOOK FOR THE CHICAGO BIENNIAL

HOUSE OF FLUX: David Chipperfield’s New SSENSE Flagship in Montreal

By Daniel Simon Ayat

Black Reconstruction Collective: A MANIFESTING STATEMENT

By Black Reconstruction Collective

NIGHTLIFE ARCHITECTURE: From Times Square to The Spectrum, What We Get Out Of Going Out

By Andrew Pasquier

BEAUTY IN THE TIME OF VIOLENCE: THE ART OF JUSTIN BERRY

By David Andrew Tasman

THE PIN–UP QUOTE: DAVID CHIPPERFIELD

NOTHING IN MOMA: Abraham Adams’s Exaltation of Absence

By Drew Zeiba

INTERVIEW: Carson Chan on Climate Crisis and the Challenge of the Architectural Canon

By David Tasman

WILLO PERRON PRESENTS: The Sun, Agent of Renewal and Destruction

By PIN–UP

INTERVIEW WITH DAVID ADJAYE ABOUT THE NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE

By Andrew Ayers

SOFT SCHINDLER: Reflections on the House

By Leslie Dick

LIFE IN RUINS: BAS PRINCEN AND OFFICE KGDVS’S MODEL FOR A PAVILION

By Jesús Vassallo

ROMAN RUINS: Post-war Architecture in the Italian Capital

By David Plaisant

ON FIRE: THE GRILL HOUSE ARCHITECTURE OF CROATIA

By David Huber

THE METROPOLITAN OPERA CLUB: AN INTERVIEW WITH MEMBER DAVID BEER

By Elizabeth Beer

YUGOTOPIA: The Glory Days of Yugoslav Architecture On Display

By David Huber

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PIN–UP 29 – Reconstructions

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ASMARA: Colonial Modernism in North-East Africa

By David Rifkind

BOOK CLUB: In Search Of African American Space

By Oluwatobiloba Ajayi

The Malibu Estate of Mr. and Mrs. Eric Lloyd Wright

By David van der Leer

A Stream of Consciousness “On Water”

By Pierre Alexandre de Looz

Drag Race, Sylvia Lavin, Herbert Muschamp, and the Architectural Realness of Rafael de Cárdenas

By Jesse Seegers

HALL OF MIRRORS: Halston’s Rise and Fall and The Link to New York’s Olympic Tower

By Jeremy Lewis

TOP 12: Living Divani’s Carola Bestetti Picks Her Favorite Pieces

By Felix Burrichter

INTERVIEW: Enrique Lastra, Mexico City’s Favorite Public Architect, Wants to move towards the interior

By Carlos Ortega Arámburo

MILAN UNDERGROUND: Objects Tour The European Capital of Design’s Iconic Subway

By Francesco Nazardo

Big Ideas Economically Realized At The Lisbon Architecture Triennale

By Andrew Ayers

2017: ANOTHER YEAR OF BIENNIAL FEVER

By Andrew Ayers

SOFA STARS: Meet The Real Couchwives Of Leatherly Hills

By Shawn Maximo

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15 YEARS, 30 COVERS: The Ultimate PIN–UP Legacy Sale

By PIN–UP

ARGO FACTORY: Tehran’s First Contemporary Art Museum Since the Revolution

By Ian Volner

AGENTS PROVOCATEURS: Applied Arts Is Redefining The Concept Of A Creative Agency

By Marco Estrella

MAISON RELOADED: Balenciaga Reinvents Its Paris HAUTE Couture HQ

By Natasha Stagg

GLASS DISTINCTION: Delicate Table Pieces By Valentina Cameranesi Sgroi

By Bruce Benderson

Glenn Adamson’s Favorite Objects and Things

By Glenn Adamson

MASK UP: How The Guy Fawkes Mask Became One Of The Most Iconic Design Objects In Recent History

By Philippa Snow

ATLANTIS RISING: Ellex Swavoni’s Sci-Fi Monument To Atlanta’s Black Heroines

By Tash Nikol

BOOK CLUB: The Notional Architectures of Bodys Isek Kingelez

By Pierre Alexandre de Looz

THE LATE HESTER DIAMOND’S CLASHING COLLECTION OF POP FURNITURE AND OLD MASTERS

By Robert McKenzie

INTERVIEW: Ibiye Camp On Her Hyrbid Practice Materializing Data And Mapping Public Space

By Jareh Das

INTERVIEW: Sophia Al-Maria, Self-described Time Traveler with a Starchitect-Centered Screenplay on the Way

By Hans Ulrich Obrist

EXHIBITION REVIEW: 44 Low Resolution Houses

By Michaela Friedberg and Carly Richman

INTERVIEW: MABEL O. WILSON ON RADICAL OPTIMISM

By Emmanuel Olunkwa

The Visual Mixtapes of Michael Dayton Hermann Tap Into the Collective Media Memory Space

By Drew Zeiba

ART, DESIGN, ARCHITECTURE: The Lake Como Design Fair Does it All

By Andrew Ayers

RICARDO BOFILL: Architecture’s Dazzling Chameleon Reveals His Many Colors

By Felix Burrichter

FROM DUBAI TO DUNE: SOME THOUGHTS ABOUT DESERTNESS

By Shumon Basar

PIN–UP 28 SUNFLOWER COVER

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PIN–UP 28 “SUN” Cover by Torso

PIN–UP 28 “SUN” Cover by Willo Perron

AUSTRIANS IN AMERICA: How Transatlantic Exchange Shaped Modernist Architecture

By Akiva Blander

SWEET SUBVERSIONS: DIS Curates the Biennale de l’Image en Mouvement in Geneva

By Drew Zeiba

GET OUT: A Swan Song to Trump’s Aesthetic of Trickle Down Mediocrity

By Ted Barrow

LIBERTÉ EGALITÉ UPHOLSTERY: 15 Reasons Ligne Roset Rules Seating

By PIN–UP

THE MODERN SHOWER: From Prison Control To Suburban Purity

By Olivia Erlanger

A New Look for the Museum of Contemporary Art San Diego, courtesy Selldorf Architects

By Whitney Mallett

ESTATE REALNESS: How the Stars of Selling Sunset Mirror The Luxury Properties They Sell

By Philippa Snow

PRODIGAL SUN: Christian Wassmann’s Sun Path House in Miami

By Felix Burrichter

BONAVENTURE ADVENTURE: A Hotel History of Downtown L.A. through the Eyes of a Mirrored Hotel Complex

By Fiona Alison Duncan

Book Club: Donald Judd Writings

By Maxwell Donnewald

BOOK CLUB: El Internacional (1984–1986): New York’s Archaeological Sandwich

By Natalia Torija Nieto


BOOK CLUB: An Unfinished Encyclopedia of Scale Figures Without Architecture

By Stephen Froese

CHRISTO AND JEANNE-CLAUDE: A Posthumous Paris Rendezvous at the Pompidou

By Andrew Ayers

BOOK CLUB: The English Sunrise, A Collection Of Solar-InSpired Design

By Drew Zeiba

LAND ARTISTIC: Yorkshire Sculpture Park’s New Visitor Center by Feilden Fowles

By George Kafka

THE LEGACY OF FLORENCE KNOLL: Interview With Creative Director Dorothy Cosonas

By Natalia Torija Nieto

FORENSIC ARCHITECTURE: AN INTERVIEW WITH EYAL WEIZMAN

By Andrew Ayers

INTERVIEW: Artist Ângela Ferreira Examines Modern Architecture And Colonialism

By KJ Abudu

INTERVIEW: Eric N. Mack, the New York Artist Who Paints with Textiles

By Mahfuz Sultan

INTERVIEW: ARTIST JIMMY ROBERT ON THE BODY, SPACE, AND POWER

By Harry Burke

INTERVIEW: Artist Kandis Williams Is Giving History A Hard Read

By Chloe Wayne and Mahfuz Sultan

INTERVIEW: Max von Werz about Designing with Coherence and Honesty and his Love for Mexican Modernism

By Suleman Anaya

INTERVIEW: Artist-Anthropologist Maya Stovall On Detroit Urbanism And Liquor Store Theatre

By Alice Bucknell

INTERVIEW: Miles Gertler On Funerals, Fitness, and the Design of the Body

By Hans Ulrich Obrist

INTERVIEW: Nargis and Nasir Kassamali’s Faith in Design as a Language

By Felix Burrichter

INTERVIEW: “Daddy” Playwright Jeremy O. Harris On Beauty, Pools, and Trauma

By Felix Burrichter

INTERVIEW: Pop Polymath Willo Perron On Iconography, Instagram, And Being an Inter-disciplinarian

By Emily Segal

INTERVIEW: Shumon Basar Talks “Age Of You” Exhibition And The Extreme Self

By Eva Munz

Artist Theaster Gates On Beetle-Damaged Ash Trees and Urban Catastrophe

By Whitney Mallett

OFF THE CHART: INTERVIEW WITH JOA STUDHOLME OF FARROW & BALL

By Pierre A. M’Pelé

INTERVIEW WITH KELLER EASTERLING ABOUT INFRASTRUCTURE AS LANDSCAPE

By Jesse Seegers

INTERVIEW: Yussef Agbo-Ola and an Architecture of Ecological Systems

By Jareh Das

VIDEO: A New Perspective On Luigi Caccia Dominioni

By PIN–UP

LIMITED EDITION COVER: The Designer of the 2018 Serpentine Pavilion, Frida Escobedo

By Eva Munz

CALL OF THE ALPS: NOMAD, A COLLECTIBLE DESIGN FAIR IN ST. MORITZ

By Dan Thawley

PIN–UP AND SHUI TEAM UP FOR A WET RELEASE PARTY

BEIRUT DIARY: Three Days With The Architect Raed Abillama

By Pierre Alexandre de Looz

PIN–UP POOL PARTY: HOMAGE TO THE ARCHITECTURE OF DOMESTIC POOLS

By Anthony Valdez

RESIDENT ALIENS: Victor Vasarely Seen Through New Eyes

By Andrew Ayers

Piano Non Forte: The Work of Renzo Piano Building Workshop at The Royal Academy

By George Kafka

ONE NIGHT IN... The New TWA Hotel at JFK Airport

By Ian Volner

SCENTS AND SENSIBILITY: RUMINATIONS ON PERFUME’S POLARIZING NATURE

By Gerlan Marcel

REVIEW: READYMADES BELONG TO EVERYONE at New York’s Swiss Institute

By Drew Zeiba

DESIGN STORY: TEXTILE TAKEOVER

By Vincent Dilio

The Parrot Diaries: A Collaboration Between Torso and Tobias Grau

By Torso

TOILET ARCHITECTURE: AN ESSAY ABOUT THE MOST PSYCHOSEXUALLY CHARGED ROOM IN A BUILDING

By Beatriz Colomina and Mark Wigley

A FORMAL OCCASION: THE LISBON ARCHITECTURE TRIENNALE

By Andrew Ayers

SINGULAR MOMENT: A FIFTH AVENUE APARTMENT DESIGNED BY WARD BENNETT

By Adrian Gaut

PIN–UP 25 – SPECIAL COVER

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